We haven’t been out much so it was a pleasant change to have a musical and a concert to attend. We went to Funny Girl at the Ahmanson last Tuesday. It was opening night, I think, and the crowd was enthusiastic. I was a little hesitant about the whole thing. I remember reading that the show got so-so reviews when it came out in the 60s. Streisand saved it, I think, and it made her a star. And I’ve seen the movie a hundred times so I had Streisand’s interpretation firmly fixed in my mind. I felt sorry for any actress trying to make the part her own. Well, I was surprised. The book must have been re-written because it made more sense than the movie did. Nicky Arnstein became a fleshed-out character with motivation instead of just a handsome man in a ruffled shirt. Katerina McCrimmon played Fanny Brice and made the part her own. I could hear echoes of Streisand when she sang the famous songs (People, for instance) but she gave it her own spin. And I think she’s probably a better actress than Streisand. She played it broadly–well, Fanny was a broad, after all–but she was human and funny. She really brought the audience in. Melissa Manchester played Mrs. Brice. I hadn’t seen her since we attended a concert at the Greek Theater years ago. I didn’t know she could act. Well, she can. And she can sing too. The audience loved her. Actually, the whole cast was great. The tap dancers brought the house down. People still like tap dancers. The staging was interesting and the lighting was great. Lots of fun. And there were no politics! I didn’t get pissed off about anything! Wow. Glad to see it. I got so tired of being scolded and shamed and ridiculed I quit the Taper Theater. Who needs to pay for that crap? I’m reading that theaters are closing all over. Maybe if they provided entertainment instead of agi-prop…Okay, rant’s over. But go see it. It’s a good show.
Last Thursday we went to Disney Hall. Simone Young conducted Arvo Part’s Cantus in Memoriam Benjamin Britten, an Elgar cello concerto, and Vaughan Williams’ Symphony No. 8. I didn’t know any of the pieces, so it was an evening of discovery for me. Gautier Capucon was the cellist for the Elgar piece. I thought he started out a little pitchy. Maybe he was nervous. Or maybe it was me; I always think cellos…celli…whatever, are a little pitchy. Anyway, he finished big. The audience went nuts so he did an encore which I thought was better than the Elgar. It was a pleasant evening. Nobody talked during the music, nobody flashed their phone in my face; I had nothing to be mad about. And that’s a good night in Los Angeles. Oh, I forgot to say anything about Young. She seemed competent enough. Can’t really compare the pieces because they were new to me. I found her gauze tunic and pants a little informal but really, what’s she supposed to wear? Maybe a designer should come up with something specific to women that doesn’t look like it came out of a bazaar. Just a thought.
Both pleasant evenings. Good night to be in Los Angeles.